The stressed decay within the delay of its discrete soundings of guitar and harpsichordhttp://www.nomeessentado.com each rippling in a reflective poolhttp://www.nomeessentado.com their waverings intimating a fragilityhttp://www.nomeessentado.com fading to the gentle fringe of the threadbare hiss of silence recorded. Its pulse considered one of subsistencehttp://www.nomeessentado.com in the low om of organhttp://www.nomeessentado.com within the fleeting beatings of windshttp://www.nomeessentado.com within the barely-there bum of some drum. And a type of melancholy in its lethargyhttp://www.nomeessentado.com in its taciturn actions belying the breadth of its orchestrahttp://www.nomeessentado.com in its slowed time save for some melodic thriveshttp://www.nomeessentado.com a flare of glassy resonancehttp://www.nomeessentado.com a cathartic distorted strings. The tragedy of one thing this beautiful is that what ought to have been one more killer album in Cesar’s vast discographyhttp://www.nomeessentado.com winding up the Lindsheaven Virtual Plaza with another notable entry beneath its belthttp://www.nomeessentado.com ends up being the last and most notable posthumous release from him. But the legacy lives on through the musichttp://www.nomeessentado.com and the evening will endlessly have his works ringing out through it in some capacity. So it’s that as night time transitions into dawn from Rio City Blues into the closer and the dream fades into reality within the morninghttp://www.nomeessentado.com we awaken and go about our dayhttp://www.nomeessentado.com …